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  1. #1
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    Default Laney VH100R - Old vs New

    So check this out... I just got my Laney back from my tech who has replaced some of the cabling inside, which has helped reduce the noise somewhat. Anyway... that isn't what has caused this, because the differences have always been there... but the old VH100R I have is markedly different to the newer one that I used to own, which is now owned by the other TNBD guitarist.

    The old one is from: 1999 (approx) - faux-leather handles
    The new one is from: 2008 - metal side handles

    So I did a comparison with them. Just a riff looped, and put through each. The controls on the amps were matched as closely as possible. The microphone position didn't change at all. Mic'd the lower V30 in my Marshall 4x12 cab. Reasonable recording volume.

    http://soundcloud.com/drewvernon/old...rsus-new-laney

    Old then new is the order.

    The older one has a bit more of a natural scooped characteristic - it's almost like the EQ bands central frequencies were changed for the newer production run; something like that anyway. I'm skeptical that mere tube differences could account for such a difference in tone - not something I've personally experienced before. Under a microphone the differences are obvious, but in the room they are even more obvious!

    Anyway... what do you think???

    /killingtime

  2. #2
    The ill-advised world music album
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    Belfast, so I am.
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    Default

    Quote Originally Posted by MrMenturm View Post
    So check this out... I just got my Laney back from my tech who has replaced some of the cabling inside, which has helped reduce the noise somewhat. Anyway... that isn't what has caused this, because the differences have always been there... but the old VH100R I have is markedly different to the newer one that I used to own, which is now owned by the other TNBD guitarist.

    The old one is from: 1999 (approx) - faux-leather handles
    The new one is from: 2008 - metal side handles

    So I did a comparison with them. Just a riff looped, and put through each. The controls on the amps were matched as closely as possible. The microphone position didn't change at all. Mic'd the lower V30 in my Marshall 4x12 cab. Reasonable recording volume.

    http://soundcloud.com/drewvernon/old...rsus-new-laney

    Old then new is the order.

    The older one has a bit more of a natural scooped characteristic - it's almost like the EQ bands central frequencies were changed for the newer production run; something like that anyway. I'm skeptical that mere tube differences could account for such a difference in tone - not something I've personally experienced before. Under a microphone the differences are obvious, but in the room they are even more obvious!

    Anyway... what do you think???

    /killingtime

    I think the newer amp sounds warmer and does have more of a mid rangey thing happening. Actually, I prefer the tone of the older one. I think the EQ sounds more even or something.
    The conductor said I could get my bookbag and run around the hallway with it.

  3. #3
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    Default

    So yeah, used this new 'old' Laney last night at practice. The thing definitely slays faces off. Only slight problem I have really is that the other guitarist also uses a VH100R (the 'newer' one I used for this test) and the clean tones are perhaps a little too similar.

    But hot damn... I missed having a 4 channel amp - or rather 4 levels of distortion at the touch of a button. I really do think that if the Laney doesn't stick, the Blackstar Series One 6L6 could be the way.

    But I think I'm learning my lesson - the trick is to NOT sell amps, and just have a collection!

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