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  1. #1491
    The rehab years
    Join Date
    Jan 2011
    Location
    Leeds & Lincolnshire
    Posts
    2,046

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    Quote Originally Posted by pennylink View Post
    Thanks, the board covers most of my needs pretty well. What delays do you use? I use Maxon AD999 for my 'bread and butter' delays and Skreddy Echo for modulated ones. DryBell Vibe is my first vibe, so I can't rate it next to others, but the sound quality and workmanship is excellent. Not to mention the ridiculously small footprint compared to most other vibes. I mostly play humbucker equipped guitars and it works great for adding light swirl and movement to solos. I don't really use it as a pronounced univibe effect a la Hendrix, but it can do that easily too. Even does a faux-Leslie pretty well. It's very easy to dial in, yet has plenty of tweakability under the hood if you need it. It wasn't cheap, but compared to US imports it was actually a pretty good deal I thought (didn't have to pay import tax/duty from Croatia and it was delivered in 3 days).
    I use a mad professor deep blue delay for my bread and butter sounds, a line 6 DL4 for long digital delays, reverse delays, swells and modulated delays and i've recently picked up a Koma Electronik BD101 for really weird mashed up delay sounds, i like to go for quite experimental tones and the Koma is brilliant for that. I think at christmas I'll update the DL4 to a Strymon Timeline... if i can afford it. I checked out a few vids of the DryBell, it seems really good, I'll look into one, the small footprint is a big bonus, most of my pedals are quite big, unfortunately.
    Quote Originally Posted by Lixarto View Post
    I believe it was Oscar Wilde who said "The only thing better than buying a Telecaster is buying two Telecasters".

  2. #1492
    The next big thing
    Join Date
    May 2010
    Location
    London
    Posts
    117

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    Quote Originally Posted by casperh7 View Post
    I use a mad professor deep blue delay for my bread and butter sounds, a line 6 DL4 for long digital delays, reverse delays, swells and modulated delays and i've recently picked up a Koma Electronik BD101 for really weird mashed up delay sounds, i like to go for quite experimental tones and the Koma is brilliant for that. I think at christmas I'll update the DL4 to a Strymon Timeline... if i can afford it. I checked out a few vids of the DryBell, it seems really good, I'll look into one, the small footprint is a big bonus, most of my pedals are quite big, unfortunately.
    Sounds great I've just checked out Koma Electronik... pretty amazing stuff!

  3. #1493
    The next big thing
    Join Date
    Dec 2010
    Posts
    337

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    here's my new layout with 2 ep boosters.
    for those of you that didn't know, ep boosters are actually the houses of magical tone pixies!
    its true.
    Last edited by bandmaster188; 28th October 2012 at 03:39 PM.
    The swamp city shakers

  4. #1494
    The rehab years
    Join Date
    Jun 2010
    Location
    Yorkshire
    Posts
    1,373

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    Had a bit of a change around last week - here's the current gigging board...



    2 Senn wireless (IEM and guitar) - EB Wah, EB vol/exp, G system, tc polytune, Zendrive, tonefreak severe, wampler pinnacle, ISP decimator.
    Awesome - rock mashups and covers
    Nitro - 80's hair metal covers

  5. #1495
    The next big thing
    Join Date
    Oct 2012
    Location
    Bristol
    Posts
    242

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    I wanted to put together a small board for home use in the living room. I normally just have a couple of pedals loose on the floor but it's much easier to fiddle with settings if i can move them into handy positions. Its a simple but versatile setup which I will probably gig with whenever I'm next playing guitar in a band - currently just on bass duties. Thanks to monofin who sold me the board!

    photo.jpg
    Good deals with: Travisthedog, Monofin, Chenzman, guitarfishbay
    Actual Bird - described as: off kilter electro rock, Meticulous electro-prog, post-punk lounge jazz.

  6. #1496
    The next big thing
    Join Date
    Apr 2011
    Location
    Nr Manchester
    Posts
    169

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    Some changes to mine,



    DD20 is at the end of the chain, just need it for one song really! Jam man isn't in the chain, the output goes straight into the Pa, just use it for pre recorded loops/ fills . Handy in a one guitar covers band.
    Last edited by Roaster; 29th October 2012 at 08:55 PM.
    Very funny, Scotty. Now beam down my clothes.
    Deals with dewar54, jakethepake, NickP. Gear Addict, Blueskunk, DarrenP, Guitarhippy, Parker, ESchap,Ionian

  7. #1497
    The next big thing
    Join Date
    Aug 2011
    Posts
    133

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    Quote Originally Posted by bandmaster188 View Post


    here's my new layout with 2 ep boosters.
    for those of you that didn't know, ep boosters are actually the houses of magical tone pixies!
    its true.
    Do you leave an ep booster on all the time and use the other for solo boost? What effect does the always on ep booster have?

  8. #1498
    The ill-advised world music album
    Join Date
    Mar 2006
    Posts
    4,320

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    Quote Originally Posted by bandmaster188 View Post


    here's my new layout with 2 ep boosters.
    for those of you that didn't know, ep boosters are actually the houses of magical tone pixies!
    its true.
    Delay before overdrive? Are you maaaaaaaaaAAAAaaaaad?!
    Quote Originally Posted by Newton Faulkner
    it's hard to see the light when the fridge door is closed

  9. #1499
    The next big thing
    Join Date
    Dec 2010
    Posts
    337

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    Quote Originally Posted by GearAddict View Post
    Delay before overdrive? Are you maaaaaaaaaAAAAaaaaad?!
    i only use the delay on clean settings and yes i am a bit maaaaaaaaaaaad!
    The swamp city shakers

  10. #1500
    The next big thing
    Join Date
    Dec 2010
    Posts
    337

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    exactly that kier.
    the on all the time ep is set with the internal dips to the vintage setting which thickens and fattens everything. the other is set for solo boosts. which i will be trying out for the first time tonight.
    they are nice pedals.
    The swamp city shakers